PERCUSSION
Tuned Percussion in the Music Classroom – a Teachers Guide

Tuned Percussion is great fun – most of the Time! However, it can be a source of headaches (literally!) for music teachers if its not implemented in a careful way.

This article is to give you some hints and tricks on how to maintain and look after the instruments, plus the types of music to play which have the greatest chances of success.

1)Organization is the key

With tuned percussion instruments in a music class you have to be totally organized.

Each instrument needs a shelf where it lives permanently – so that students know where it goes back after it has been used. You’ve got to establish these places early in the routine and have ordering about how the students go about picking them out and playing them.

2) Go All Diatonic or All Chromatic

One of the big problems is that many orff style tuned percussion instruments are sold in two bits – the main “diatonic” part of the instrument, plus they offer a “chromatic extension” which is simply the black notes on a separate box resonator.

In my experience these things are far more hassle than they are worth, particularly for elementary school classes. You are much better off with just a diatonic instrument that isn’t in “two bits”

Organizing a class so that everyone has to get the main instrument, and then get the chromatic extension and put it in front is far too difficult for most elementary classes.

In theory of course the elementary class can use just the diatonic bit, and the more advanced can use the full chromatic.. but it rarely works that way!

The only schools where I’ve seen those chromatic extensions they are generally put away into a cupboard and never used!

Still, if you have more advanced or older students then you should get fully chromatic instruments to start with!

3) Play everything in C Major

One of the big “time wasters” is those substitute F sharp and B flat bars that are included with many of the diatonic instruments. These have to be a complete waste of time for teachers. Often you can spend half the class making sure that all the students have the right notes on their instruments, and then you’ll still hear something funny going on whenever you hear an “F” because one student has an F# on their instrument!

The best tip I have for this is to simply take those substitute bars, put them into a box and lock them away!

The best solution is to simply find music, transpose music or write music that is only in C MAJOR. That way you won’t be messing around chaning notes, and you can get on with making music!

4) Go for Wood – Not Metal – and get them all at once!

I’ve seen more broken “Metallophones” at schools than any other instrument. For some reason they always seem to have gotten lost bars and damaged rubber strips under the bars which result in a loud “clunk” whenever you try to play them!

Glockenspiels are very challenging for young children – the bars are really small… and piercing on the ears as well.

My advice… go for WOOD every time. diatonic xylophones, with a box resonator.

You should really take ALL your budget in one year and dedicate it to this – don’t buy one or two at once.. That will not suffice for a whole class. Get a class set of ten to twenty xylophones that are all identical and they will last for years.

Get one or two at a time and you’ll find that they get mixed up and no-one knows what bars and bits go with what instrument!

5) Mallets all identical – all in one place

One simple thing you can do is get a full set of mallets, and make them all identical!

If you get a box or a large jar and dedicate it to this purpose then students will know that they have to get and return the mallets to this location and they’ll get used to this procedure.

If you only have wooden xylophones then you won’t have to worry about different mallets for the glockenspiels and metallophones.

Of course I’m talking about an ideal situation – and I know that its not common that you get the budget to go out and get a full class set of new tuned percussion instruments for an elementary school.

Hopefully whatever instruments you have you’ll be able to use some ideas from this article to make tuned percussion more enjoyable in your classroom

Kevin Tuck is a percussionist and teacher who runs multiple websites with his company, the Fun Music Company. One of Kevin’s blogs is all about percussion and how it can be more easily used in schools, and you’ll find it at http://www.percussioneducationonline.com

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Book description to come.

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Since its release on LP in the mid-1950s, Fritz Reiner’s rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Even after all these years, the recording remains just as convincing and authoritative. Reiner’s superb control of his orchestra and of Bartók’s rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner’s direction. This umpteenth reissue, in RCA’s Living Stereo series, promises to be the one to have, its sonics noticeably improved over the earlier CD release in 1989. –David Vernier

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Get in tune with percussion instruments. Discover how percussion instruments make music. Explore how different percussion instruments are used around the world, from castanets to the snare drum. This book includes an activity that lets you find out for yourself how musical instruments make sounds. Questions that reinforce key concepts are a great feature of this book.

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9 Percussion, 4 Trumpets, 4 Trombones, 5 horns(alternate saxaphone parts).


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How to Make Percussion in the Beginner Band More Fun!

Dealing with the percussion section can be the biggest challenge for a band director, particularly in the elementary band situation. It can be very tough to get them all engaged and enjoying the rehearsals, particulary if the director themselves is not a percussion specialist.

Don’t let them be “drummers” only – be “percussionists” instead

This is the most important thing to realize – that band students are often attracted to percussion so that they can play the drum set. The drum set (or drum kit) is often used in the school band, and often is very important, so students feel that if they are not playing it they have to sit there and wait.

The band director has to find a way around this situation – if you only have one drummer, then great! They can play the drum kit and away you go.

The issue can happen when you have multiple drummers in the band, sometimes two, four, eight or ten! One way that works very effectively and has been used for many years is to have one player playing snare drum, one playing bass drum, and one cymbal player, even if you have a “drum kit” part written out. If you have this type of band I recommend having this setup at all times, and making the students stand up to play the snare drum. You then have the cymbals and concert bass drum, and its designed to be played by three players all the time.

Have an Auxilliary Percussion Table – and make them stand up to play at all times

There is nothing worse than vaguely hearing a shaker or tambourine in a school band, and struggling to see the person sitting on a chair behind the drummer!

When playing tambourine, triangle or shaker – these instruments are often more critical to the sound of the band than the snare drum or drum set, so therefore they must be taken really seriously.. by the band director as well as by the players.

So always have a “traps” table with everything in easy reach. Its not expensive to set one up or buy one of the available professional models.

The players must always stand up to play, and have their music stand set up so that they can look immediately over it at the band conductor.

Warming up – please don’t ignore us!

I’ve been a percussionist in a school band… there is nothing more frustrating that spending your time sitting in the school band room while you wait for the wind players to tune up and warm up. Often the band director will spend up to half an hour warming the players up – and expect the percussionists to remain quiet during that time.

How to deal with it?

- If youre going to warm up for half an hour…. Tell the percussion section to arrive later than the rest! – it makes no difference to you and its better than them being a distraction!

- Why not send them into a different room for their own section rehearsal during this time? Get a specialist teacher or assistant to work with them on their parts

- Use predefined warm-up routines that go along with what you are doing with the wind players. (doesn’t always work, but can do depending on the materials you have)

Be prepared to supplement the band book

When I helped out with beginner bands I found it necessary to supplement the band books that the students were using with additional materials – often the materials are not interesting or they don’t have enough variety to keep the students engaged in the materials.

They’ll need lots of work on basic rudiments and rolls – often the band books don’t address those things early enough. So therefore you may be able to supplement it with other material which is available online and in books.

Everyone playing mallets?

I’m going to leave this up to you – it depends on the different personalities in each of the bands you have. One popular series of band books the “standard of excellence” has snare drum/bass drum on the left hand pages of the book, and mallet percussion on the right. Another type the “essential elements” has one snare drum and one mallet percussion book.

I think that percussionists should rotate and do as much as possible, and if that means that they each need two books, whereas every other member of the band needs only one.. then that’s the way it should be!

There are no quick fixes to make percussion better in the beginner band, but hopefully this article can give you one or two ideas that will help!

Kevin Tuck has worked as a private music teacher (a percussion specialist) and as a classroom music teacher. Kevin has run his own very successful music school, and now runs The Fun Music Company, an internet publishing company helping music teachers and authors publish music and educational materials on the internet. There are heaps more articles available for percussion at his blog percussion education online


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It is ideal for students and beginners.

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This method features exercises and studies that cover the problems of technique in playing these instruments. Includes 30 progressive etudes, arrangements of violin concertos by Bach and Paganini for ‘fixed-pitch’ percussion, and orchestral excerpts from Ravel, Stravinsky, Shostakovich, Kabalevsky, Gershwin, Delibes, and others.

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Essential Elements was the major breakthrough for beginning band methods in the Õ90s. Now Essential Elements 2000 will take band programs into the next millennium! EE2000 features:¥ A CD featuring a professional soloist in every Student Book 1 ¥ Great performance music with planned first concert. ¥ Even more great tunes, motivating students to practice and stay in band. ¥ Special Rubank¨ Studies ¥ Better pacing, sequencing and reinforcement. ¥ Theory, history and creativity exercises integrated into each student book.

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An in-depth study (324 pages) of all the percussion instruments, rhythms and song styles of Afro-Cuban music, along with their applications to the drum set. Detailed technical studies of each instrument are presented along with notations of many rhythm styles. The entire rhythm section (parts for bass, piano, horn section, string section, tres, and guitar) is also studied in detail. The book comes with two CDs that include performances of each percussion instrument, drum set, all rhythm section instruments, as well as examples of all musical styles with full instrumentation in score form.

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This book & CD is a carefully designed method which introduces the younger student to the basics of percussion playing and reading music. Introduces the basic of playing claves (rhythm sticks), bongo drums and the triangle in various combinations from solo up to a quartet. Whole, half, quarter and eighth notes with the equivalent rests are learned through a repertoire of popular children’s songs. The book concludes with a lesson introducing the drumkit. All songs are accompanied by entertaining full color illustrations.


Progressive Percussion Method For Young Beginners (progressive Young B

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You can’t beat this one for learning the basics…CD included!

This guide presents all percussion instruments, from classical to marching band. Aimed at percussion and music students, conductors, and composers, it offers essential information about each percussion instrument, how to play it, and a demonstrative CD.

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  • Multiple percussion timbres with easy grip, one-handed handle

Product Description
The new LP Percusso meets today’s demand that the percussionist handle multiple sonic duties. A single player must negotiate a gamut of sounds. With this in mind, LP has designed the ingenious Percusso, which enables the percussionist to deliver two discrete tones from a single instrument. By grasping the comfortable LP Percusso grip, the player choose between shaking the lightweight frame for a jingling tambourine tone or depressing the direct-touch lever for an authentic wood block sound. Either way, the player can easily toggle between tones suitable for many musical genres. A further advantage of the LP Percusso is that block and jingle effects may be played simultaneously in perfect sync. After a moment’s study, manipulating the LP Percusso becomes second nature and the player pulls off wood block/tambourine combinations with split-second precision. Multiple percussion timbres are a reality with the easy grip, one-handed innovation, the LP Percusso.

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Latin Percussion LP-PER007 Percusso Tambourine $39.99 – @ Amazon
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  • Plastic egg shakers are excellent for recreational playing or drum circle situations
  • Available in five colors: blue, green, orange, pink, yellow
  • Sold in pairs

Product Description
Tycoon Percussion TE-P Egg Shakers are plastic eggs that are used in virtually every playing situation imaginable. Every musician in the band can play egg shakers. Sold in sets of two, egg shakers are available in green, pink, yellow, orange and blue colors. These are designed for professional use and not for use by children.

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Tycoon Percussion Plastic Egg Shakers – Pink $3.90 – @ Amazon
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  • Place both palms over ends and shake
  • Vary sound by cupping and lifting hands at shaker end

Product Description
New shaker sound with multiple effects

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Latin Percussion LP351 Wah Shaker $14.99 – @ Amazon
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  • Crafted from Jenigor®, LP’s exclusive plastic formulation
  • Strength and durability to withstand even the hardest hitting players
  • Heavy duty mounting bracket, and LP eye-bolt assembly included

Product Description
P Jam Blocks are great examples of LP innovation. This patented design turned fragile, age-old wood blocks into virtually indestructible modern staples for any drummer or percussionist. Don’t be fooled by cheap-imitations, not all blocks are created equal.

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Latin Percussion LP1209 Guiro Jam Block $29.22 – @ Amazon
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  • Smaller 6″ and 7″ natural rawhide heads
  • Cuban-style, steel bottoms
  • 932″ diameter tuning lugs
  • Black powder coated rims
  • Includes carry bag

Product Description
Constructed of kiln dried, environmentally friendly Siam Oak

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Latin Percussion CP221-AW Cp Traditional Bongo-Natural $42.58 – @ Amazon
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  • 10″ cymbal & high hat
  • bass drum pedal
  • jr throne
  • drum sticks & drum key
  • Bass drum pedal, jr throne
  • 10- Inch cymbal & high hat
  • Bass drum pedal JR throne

Product Description
Black, ported drum head on 16 IN x 11 IN, 6-Lug, Bass Drum. 10 IN x 6 IN, 5-Lug Tom-Tom with Holder. 10 IN x 5 IN, 5-Lug, snare with stand. 10 IN Cymbal with Holder. Junior Hi-Hat Cymbal with stand. Bass Drum Pedal. Junior Drummer’s Throne. Drum Key. Drum Sticks. Assembly Required, Instructions Included. No additional tools necessary. Overall Size: 36 IN L x 36 IN W x 36 IN H, Weight: 34 Pounds.

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GP Percussion GP50MPK Complete Junior Drum Set $148.99 – @ Amazon
1978 Kawasaki KE175 KE 175 Shift Drum Whit Froks

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  • Book

Product Description

Making your own primitive instruments from simple materials such as coffee cans and flower pots. Includes 121 figures.

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How to Make Drums, Tomtoms and Rattles: Primitive Percussion Instruments for Modern Use $5.00 – @ Amazon
1978 Kawasaki KE175 KE 175 Shift Drum Whit Froks

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  • Filled with non-toxic steel shot
  • Recharge the glow by placing in direct light (under a lamp or in the sun)
  • The longer the shakers are in the light, the brighter they glow
  • Patented
  • Made of wipe-clean plastic

Product Description
Constructed of wipe-clean plastic

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Latin Percussion LP004-GLO Glow In Dark Egg Shakers 1Pr $2.27 – @ Amazon
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  • 48 Pages
  • Published by G. Schirmer, Inc.

Product Description
Compiled by John O’Reilly for various percussion instruments with piano. Contents: SNARE DRUM: The Phantom Drummer (Weinberger) * Two Unaccompanied Solos (Colgrass) * Introduction and Rondo (O’Reilly) * Metal ‘N’ Wood (O’Reilly) * MULTIPLE PERCUSSION: Two for One (O’Reilly) * Trinote (O’Reilly) * Fireworks (O’Reilly) * TIMPANI: Lament (O’Reilly) * Primeval Dance (O’Reilly) * Three Designs for Three Timpani (Muczynski) * Sonata for 2 or 3 Timpani and Piano (Tcherepnin) * Two Pieces (Carter) * MALLET PERCUSSION: Gymnopedie (Satie) * Allegro (Loeillet) * Adagio and presto (Handel) * Cool (Bernstein) * Tarantella (Prokofiev) * Scherzo (O’Reilly) * Concertino, Op. 21 (Creston).

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Solos for the Percussion Player $10.50 – @ Amazon
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  • A Percussion Book That Exposes Students To Learning And Performing
  • A Wonderful Variety Of Melodies In Various Styles And Periods
  • Includes Eleven Full Band Pieces
  • Standard Notation
  • 244 Pages

Product Description
Learning was never so much fun! If you’re looking for a revolutionary band curriculum that builds solid musicianship while motivating your students to practice throughout the year, then you’ve found it! This full band curriculum is sound in its pedagogy, written by leading young band composers and educators, including Robert W. Smith and Michael Story. The integration of important songs from the band world, that are both familiar and fun to play, is one of the stellar aspects of this course. Throughout the book, students experience music from a veritable ”who’s who” list of great band composers. They’ll discover the musical contributions of Henry Fillmore, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Clare Grundman, Ralph Vaughan-Williams, Scott Joplin, Peter Ilyich Tchaikovsky, and Igor Stravinsky.

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Band ExpressionsTM – Book Two: Student Edition – Percussion – Level 2 – Book and CD Package $29.95 – @ Amazon
Essential Elements Book 2 - Percussion Music Method NEW

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  • A Collection Of Thirty Pieces With Hand Percussion Instruments
  • For Grades Three Through Middle School
  • Includes Excellent Individual Lessons
  • Features Enriching Content And Unlimited Custom Possibilities
  • 48 Pages

Product Description
Hands On is a collection of thirty pieces with hand percussion instruments for grades three through middle school. From pure conga jams to timbre studies to polymetric rhythms, this book will keep your class tapping its toes while developing their brain. Though the book contains excellent individual lessons, the author encourages changing the content to fit the specific needs of the student. Hands On takes into account that each classroom has different needs and provides the flexibility to meet them. With engaging songs, enriching content, and unlimited customizability, Hands On is a must-have for your classroom!

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Hands On – Percussion $16.95 – @ Amazon
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  • 8″ demi snare 15″ standup floor tom 10″ tom
  • 10″ high hat cymbals &15″ crash ride cymbal
  • heavy duty chain drive bass pedal
  • drum sticks & drum key

Product Description
9-Ply Poplar/Basswood shells with durable PVC covering. 15 Inch, Stand-up Bass Drum with sure-grip telescoping legs. 10 Inch Tom. 8 Inch Wood Demi-Snare. Polymer heads. Memory locking Tom/Snare mount. 15 Inch Crash/Ride Cymbal. 2-10 Inch High-Hat Cymbals. Cowbell. Combo mount for bell and cymbals. Heavy duty chain-drive Bass Pedal with multi-purpose beater. Drumsticks. Assembly Required. Overall Size: 39 Inch L x 36 Inch W x 56 Inch H, Weight: 39 Pounds.

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GP Percussion GP75MB Cocktail Drum Set $293.77 – @ Amazon
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  • 112 Pages
  • Published by Meredith Music

Product Description
Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.

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Practical Guide to Percussion Terminology $9.86 – @ Amazon
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  • Created using specially formulated plastic
  • Combines the bright tones of traditional wood blocks with extra strength and durability
  • Mounting bracket included for an easy and quick set up in any musical setting
  • Available in a high-pitch and a low-pitch version with two distinct colors
  • An excellent addition to any musician’s set up

Product Description
Tycoon Percussion TTB-H High Pitch Lip Block is a unique and powerful block. Specially designed by our engineers, this block has a high pitch that will cut through the loudest music. Specially formulated plastic combines the bright tones of a traditional wood block with extra strength and durability. Includes the steel mounting bracket and is also available in a low pitch version.

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Tycoon Percussion High Pitch Lip Block $24.05 – @ Amazon
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  • Made by Sound-Off
  • Model Number: SO14HAT

Product Description
The HQ SoundOff Hi-Hat Mutes are constructed from an ultra-thin rubber that closely approximates true stick rebound on a hi-hat. They expose the bell surface so that the drummer can practice various cymbal sticking techniques while achieving an astounding 95% reduction in volume. The HQ SoundOff Hi-Hat Mutes are a breeze to get up and ready. They install and remove in seconds without disturbing felt washers and clutches.

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HQ Percussion SoundOff Hi-Hat Mute, 14″ $11.40 – @ Amazon
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  • Heavy gauge steel and each is equipped with a hanger loop
  • Metal striker with coated handle included

Product Description
Great instrument for the working musician

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Latin Percussion LPA123 10 Inch Pro Triangle With Striker $19.99 – @ Amazon
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  • A Comprehensive Method To Develop Solid Skills
  • Includes Essential Exercises And Etudes
  • Covers Grip, Stroke, Playing Position And Technical Studies
  • Standard Drum Notation, 166 Pages

Product Description
This comprehensive method by Mitchell Peters (principal percussionist of the Los Angeles Philharmonic) helps percussionists at any level develop solid skills. The method contains an abundance of essential exercises and etudes for both 2- and 4-mallet technique in two convenient volumes! Covers the grip, stroke, playing position, reading and technical studies, and more!

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Fundamental Method for Mallets – Book 1 – Percussion $26.95 – @ Amazon
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  • Constructed of hand selected environmentally-friendly Siam Oak Wood
  • 22″ tall, with a 12″ diameter head
  • Black powder coated deluxe hoop, reinforced side plates with 3/8″ diameter tuning lugs and backing plates
  • Premium quality goat skin head
  • Tuning wrench included

Product Description
Tycoon Percussion’s Supremo Series Djembe is perfect for the percussion enthusiast. Constructed of aged Siam Oak, these drums feature a high quality 12” goat skin heads and black-powder coated hardware in two attractive finishes. Light weight and easy to transport, they are perfect for students. Mounting stands and bags are available as an additional option.

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Tycoon Percussion 12 Inch Supremo Series Djembe – Natural Finish Too low to display – @ Amazon
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